The New York Times – Music:
Starring Ailyn Pérez, Daniel Catán’s heavily perfumed “Florencia en el Amazonas,” from 1996, is the company’s first work by a Latin American composer.
The New York Times – Music:
Starring Ailyn Pérez, Daniel Catán’s heavily perfumed “Florencia en el Amazonas,” from 1996, is the company’s first work by a Latin American composer.
The New York Times – Music:
Mary Zimmerman, known for a dreamy approach to theater, stages the Metropolitan Opera’s company premiere of “Florencia en el Amazonas.”
The New York Times – Music:
Long a rising star, she is getting a new Metropolitan Opera production built around her, and it’s the house’s first Spanish-language show.
The New York Times – Music:
Among the company’s annual summer offerings, Monteverdi’s “L’Orfeo,” from 1607 but newly reorchestrated and imaginatively staged, stands out.
The New York Times – Music:
Michael Volle puts his noble voice to delightfully undignified use as the title character in Robert Carsen’s still fresh production of “Falstaff.”
The New York Times – Music:
The company’s revival of “Eugene Onegin” gives the lie to the Russian president’s claim that his country’s composers are suffering in the West.