The New York Times – Music:
His recordings of Beethoven and Chopin were hailed as classics, but his technical ability sometimes invited controversy.
The New York Times – Music:
His recordings of Beethoven and Chopin were hailed as classics, but his technical ability sometimes invited controversy.
The New York Times – Music:
Modern pianos are central to classical music. But some musicians are learning other keyboard instruments, and feel like better artists for it.
The New York Times – Music:
One of the first Black superstars in classical music, he awed audiences with his charisma and his technical powers.
The New York Times – Music:
He soared to popularity with a swinging hybrid of classics and jazz. He later conducted the Philly Pops, often with one hand while the other played piano.
The New York Times – Fashion & Style:
“Kagami,” a new mixed-reality presentation, features a virtual likeness of the late composer. It becomes, mostly despite itself, an affecting meditation on grief.
The New York Times – Music:
A student of both music and history, he entertained audiences in the 1960s and beyond while educating them about a genre whose heyday had ended decades earlier.
The New York Times – Music:
His top-selling records for the Windham Hill label helped define a genre that took off in the 1970s, but his interests also included Hawaiian guitar and the Doors.
The New York Times – Music:
In concerts and on dozens of recordings, she applied a delicate touch that critics said set her apart from other performers.
The New York Times – Music:
Mr. Pressler, who fled Nazi Germany as a youth, was the anchor of a group that, with various lineups, performed all over the world for 53 years.