The New York Times – Music:
“Twelve Carat Toothache,” the new album from the post-genre star, continues to collapse several styles into one, and hones a template adopted by a new generation, including Tate McRae.
Category: Pop and Rock Music
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Post Malone and Pop’s Single Sound
The New York Times – Music:
“Twelve Carat Toothache,” the new album from the post-genre star, continues to collapse several styles into one, and hones a template adopted by a new generation, including Tate McRae.
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Harry Styles Repeats at No. 1 With ‘Harry’s House’
The New York Times – Music:
The One Direction singer’s latest solo album is the first since Adele’s “30” to go back-to-back atop the Billboard chart after debuting there.
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‘You Don’t Become Lou Reed Overnight.’ A New Exhibition Proves It.
The New York Times – Music:
“Lou Reed: Caught Between the Twisted Stars” offers glimpses of a life in rock ’n’ roll — from doo-wop to “Metal Machine Music” — and tracks the evolution of one of music’s polarizing legends.
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Yeah Yeahs Yeahs’ Apocalyptic March, and 10 More New Songs
The New York Times – Music:
Hear tracks by Kyshona, the Mountain Goats, Maggie Rogers and others.
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Angel Olsen Finds a New Gear in a Vintage Genre on ‘Big Time’
The New York Times – Music:
“Big Time,” an album made at a tumultuous time in the singer-songwriter’s life, is charged with cleareyed emotion and heartbreaking moments.
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Can Harry Styles’s Music Catch Up to His Fame?
The New York Times – Music:
How his time in One Direction and a powerful online fan base have shaped the pop star’s career.
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True Love Can Leave Traces. S.G. Goodman’s Detailed Songs Do, Too.
The New York Times – Music:
The Kentucky musician’s second album, “Teeth Marks,” is steeped in Southern songwriting, but not tethered to anything beyond its creator’s own truths.
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Becoming Johnny Rotten, When John Lydon Would Rather You Didn’t
The New York Times – Music:
Anson Boon went through a grueling process to play the punk star in “Pistol,” even though the original wanted nothing to do with the project.