The New York Times – Music:
Why include traditional Georgian dance in a production of “Macbeth”? For the opera, the action director wanted something visceral: “I wanted to actually smell the sweat.”
The New York Times – Music:
Why include traditional Georgian dance in a production of “Macbeth”? For the opera, the action director wanted something visceral: “I wanted to actually smell the sweat.”
The New York Times – Music:
Quinn Kelsey commandingly charts each step in Macbeth’s decline in Louisa Proske’s postapocalyptic setting of Verdi’s opera, which opened the Metropolitan Opera’s season.
The New York Times – Music:
The rising director Louisa Proske makes her Metropolitan Opera debut with the season-opening “Macbeth,” a large-scale production that came with a ticking timer.
The New York Times – Music:
Among the highlights are the world premiere of an adaptation of “Lincoln in the Bardo,” and classics like “Macbeth” and “Jenufa.”