The New York Times – Music:
With ambition that exceeded its grasp, the orchestra performed Puccini’s “Il Trittico” ahead of the center’s expected closure.
The New York Times – Music:
With ambition that exceeded its grasp, the orchestra performed Puccini’s “Il Trittico” ahead of the center’s expected closure.
The New York Times – Music:
This Orientalist classic, left unfinished, has had to be completed since Puccini’s death. A new version hands that task to artists with Asian roots.
The New York Times – Music:
The company’s director, Oliver Mears, talks about the opening performance of “Tosca,” the return of the soprano Anna Netrebko and more.
The New York Times – Music:
The history and curiosity behind these operas, both set in Asia, complicate often simplistic criticisms of borrowing and stereotyping.
The New York Times – Music:
Jonathan Tetelman will sing in “La Rondine” and “Madama Butterfly” in New York. He trained as a baritone and worked as a D.J. before finding his “authentic voice” as a tenor.
The New York Times – Music:
Igor Levit’s response to tragedy, Ethan Iverson’s first piano sonata and a personal recording by Gidon Kremer are among the highlights.
The New York Times – Music:
A gift from a board member recently paid for the company to rebuild sets for Franco Zeffirelli’s deathless 1981 production of Puccini’s classic.
The New York Times – Music:
Opera houses in London and Boston have taken a critical look at “Madama Butterfly” to correct its clichés, caricatures and anachronisms.