The New York Times – Music:
Sarah Kirkland Snider’s gorgeously mesmerizing first opera has both focus and a thematically expansive view of a moment in medieval history.
Category: Pulitzer, Elkhanah
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Review: ‘Fragments’ Proposes a New Kind of Cello Recital
The New York Times – Music:
Alisa Weilerstein brought her new project, a mix tape of new works and movements from Bach’s cello suites, to Zankel Hall.
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Review: In ‘Antony and Cleopatra,’ John Adams Goes Conventional
The New York Times – Music:
This composer’s latest stage work, at San Francisco Opera, is his most straightforward, but also his least inspired.
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John Adams, an American Master at 75
The New York Times – Music:
Adams, arguably our greatest living composer, has done operas inspired by recent history. In “Antony and Cleopatra,” he turns to Shakespeare.