The New York Times – Music:
The composer and instrumentalist was honored for “Adagio (For Wadada Leo Smith),” an unconventional concerto written for saxophone and orchestra.
The New York Times – Music:
The composer and instrumentalist was honored for “Adagio (For Wadada Leo Smith),” an unconventional concerto written for saxophone and orchestra.
The New York Times – Music:
A Pulitzer Prize-winning composer who liked to redefine himself, he was originally known as an experimentalist but was later identified with a lush style that came to be called the New Romanticism.
The New York Times – Music:
The jury for the memoir category had raised concerns that the citizenship requirement was excluding a large part of American culture.
The New York Times – Music:
His collaborations with the composer Jerry Bock also included “Fiorello!” — which, like “Fiddler,” was a Tony winner — and “She Loves Me.”
The New York Times – Music:
Giddens said that the success of their opera “Omar” proves that “nobody has the lock on being a composer.”
The New York Times – Music:
His opera sat unproduced for decades. Then a piece of it garnered one of the field’s top prizes. Then it sat some more.
The New York Times – Music:
A Pulitzer Prize winner, he wrote many orchestral works but was most celebrated for his vocal pieces. He was also well known for writing candidly about his life.
The New York Times – Fashion & Style:
The Pulitzer Prize-winning novelist has a new book, “Horse,” and a very old house, where she spent the pandemic with family and horses.
The New York Times – Music:
Raven Chacon’s “Voiceless Mass,” a work for ensemble and pipe organ that “evokes the weight of history in a church setting,” won the prize for music.