Rabanne, Paco

Review: Paco Rabanne’s and Kei Ninomiya’s Noir

The New York Times – Fashion & Style:

Julien Dossena reflects Paco Rabanne’s ‘frontiers of reality,’ while Kei Ninomiya’s Noir tries a different dimension.

The New York Times – Fashion & Style:

He burst onto the French fashion scene in 1966 and, with dresses made from metal, plastic and paper, changed the definition of couture.

The New York Times – Fashion & Style:

Plus Paco Rabanne’s plastic-fantastic dystopian dressing.