The New York Times – Music:
Claus Guth’s entertaining and often sexy new staging of Handel’s opera-oratorio hybrid in Munich is a coproduction with the Metropolitan Opera.
The New York Times – Music:
Claus Guth’s entertaining and often sexy new staging of Handel’s opera-oratorio hybrid in Munich is a coproduction with the Metropolitan Opera.
The New York Times – Music:
Starting in March, Ambroise Thomas’s version of the Shakespearean tragedy will be revived at the Opéra Bastille for the first time since 1938.
The New York Times – Music:
Lise Davidsen unleashed rare grandeur of tone throughout her range in the title role of Strauss’s opera.