The New York Times – Music:
The streaming service, which became popular in the 2000s, paid $245,000 for the festival naming rights. It’s unclear what exactly it plans to do with the embattled brand.
Category: Reynolds, Ryan
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SAG-AFTRA Advises Actors Against Character Costumes Amid Strike
The New York Times – Film:
The SAG-AFTRA union told its members not to dress as characters from major productions and post pictures, which could be seen as promoting the work of companies they are negotiating with.
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Under the Hollywood Spotlight, a Fading Welsh Town is Reborn
The New York Times – Sports:
A former industrial hub, Wrexham had long been in decline. Now, it’s reviving as the globally famous star of a reality series about its once forlorn soccer team’s rejuvenation.
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Wrexham Wins Promotion for Ryan Reynolds and Rob McElhenney
The New York Times – Sports:
The soccer club bankrolled by the actors Rob McElhenney and Ryan Reynolds won its league over the weekend. Here’s what comes next.
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How Will ‘Welcome to Wrexham’ Write Notts County’s Story?
The New York Times – Sports:
Notts County is having one of the most remarkable seasons in its long history. It might even win the league. But you don’t get to star in someone else’s drama.
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With Films Like ‘Inside,’ One Actor Does the Heavy Lifting
The New York Times – Film:
Filmmakers behind movies that place one character in one location discuss the challenges this type of project brings.
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‘Spirited’ Review: A Whole Lot of Humbug
The New York Times – Film:
Ryan Reynolds and Will Ferrell star in this musical spin on “A Christmas Carol” from Apple TV+.
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Bursting Into Dance: Gentlemen, Assume the Superhero Stance!
The New York Times – Film:
“Spirited,” a revisionist “Christmas Carol,” leads with tap, thanks to the choreographer Chloé Arnold and her team, Ava Bernstine-Mitchell and Martha Nichols.
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Welcome to Wrexham: It’s the Future
The New York Times – Sports:
Rob McElhenney and Ryan Reynolds seem sincere about their investment, emotionally and financially, in a Welsh soccer team. But they are not mere observers in its story.