The New York Times – Music:
Speranza Scappucci, the principal guest conductor at the Royal Opera House, has a busy season ahead of her, so she refuses to lose sight of what matters.
The New York Times – Music:
Speranza Scappucci, the principal guest conductor at the Royal Opera House, has a busy season ahead of her, so she refuses to lose sight of what matters.
The New York Times – Music:
“Alcina” is long, hard to sing — and irresistible to opera houses and singers alike.
The New York Times – Music:
Demonstrators outside the Royal Opera House protested the Russian soprano’s return to the London stage in a new production of “Tosca.”
The New York Times – Music:
The London institution is creating “RBO/Shift,” a technology festival whose first year will ask how far A.I. can push the boundaries of opera.
The New York Times – Music:
The company’s director, Oliver Mears, talks about the opening performance of “Tosca,” the return of the soprano Anna Netrebko and more.
The New York Times – Music:
The composer who put Anna Nicole Smith’s life onstage has a new piece: an adaptation of a cult movie about child abuse.
The New York Times – Music:
“I don’t want to exclude anything,” says the Czech conductor Jakub Hrusa, who plans to present Czech music alongside mainstream repertoire in London.