The New York Times – Film:
The SAG-AFTRA union told its members not to dress as characters from major productions and post pictures, which could be seen as promoting the work of companies they are negotiating with.
The New York Times – Film:
The SAG-AFTRA union told its members not to dress as characters from major productions and post pictures, which could be seen as promoting the work of companies they are negotiating with.
The New York Times – Film:
The lives of hundreds of thousands of crew members have been upended, and even a deal between the actors and the studios might not help much in the short term.
The New York Times – Film:
The sides said they remained far apart on the most significant issues, dealing a blow to hopes that the entertainment industry could soon fully roar back to life.
The New York Times – Film:
Duncan Crabtree-Ireland, the lead negotiator for SAG-AFTRA, will be a key player as the guild begins talks with the studios again on Monday.
The New York Times – Film:
The studios and the actors’ union haven’t spoken for more than two months, but a deal is needed before the entertainment industry can fully return.
The New York Times – Film:
Many U.S. studios’ blockbusters are filmed in Britain, so the walkouts by actors and screenwriters have caused thousands of U.K. film crews to lose work.
The New York Times – Film:
Since striking movie stars are not allowed to promote studio films, filmmakers unexpectedly, and in some cases uneasily, have the spotlight to themselves.