The New York Times – Film:
Duncan Crabtree-Ireland, the lead negotiator for SAG-AFTRA, will be a key player as the guild begins talks with the studios again on Monday.
The New York Times – Film:
Duncan Crabtree-Ireland, the lead negotiator for SAG-AFTRA, will be a key player as the guild begins talks with the studios again on Monday.
The New York Times – Film:
The studios and the actors’ union haven’t spoken for more than two months, but a deal is needed before the entertainment industry can fully return.
The New York Times – Film:
Many U.S. studios’ blockbusters are filmed in Britain, so the walkouts by actors and screenwriters have caused thousands of U.K. film crews to lose work.
The New York Times – Film:
Since striking movie stars are not allowed to promote studio films, filmmakers unexpectedly, and in some cases uneasily, have the spotlight to themselves.
The New York Times – Film:
Striking actors and writers fear A.I. Executives don’t seem to. It’s a longstanding battle over technology and control in Hollywood that plays out onscreen, too.
The New York Times – Film:
His film “Ferrari,” a big-budget indie from Michael Mann, is the kind of adult drama the major studios have shied away from.
The New York Times – Film:
The two sides in the Hollywood stalemate will formally meet on Friday, after an informal sidebar session last week.