The New York Times – Music:
Musgrave, whose 1977 opera “Mary, Queen of Scots” is opening at the San Francisco Opera, has spent a long career searching for the “dramatic abstract.”
The New York Times – Music:
Musgrave, whose 1977 opera “Mary, Queen of Scots” is opening at the San Francisco Opera, has spent a long career searching for the “dramatic abstract.”
The New York Times – Music:
Nearly a week after opening night was canceled while patrons were in their seats, the musicians agreed to a four-year contract. The deal still needs to be ratified.
The New York Times – Music:
The labor action forced the opera to cancel as patrons were finding their seats, and threw the season of one of the nation’s premier companies into limbo.
The New York Times – Music:
The composer Missy Mazzoli, driven by personal loss, has turned America’s overdose epidemic into a dark, fantastical allegory.
The New York Times – Music:
Huang Ruo and David Henry Hwang’s “The Monkey King,” based on “Journey to the West,” brings an old superhero to the opera stage.
The New York Times – Music:
Huang Ruo’s “The Monkey King” at San Francisco Opera transforms a classic Chinese tale into a reflection on identity, enlightenment and the creativity sparked when cultures entwine.
The New York Times – Music:
Ms. Scotto, a leading Italian soprano, sang more than two dozen roles at the Metropolitan Opera and was a charismatic and demanding stage partner.
The New York Times – Music:
As opera houses rework Puccini’s classic, criticized for stereotypes about women and Japanese culture, artists of Asian descent are playing a central role.
The New York Times – Music:
Audiences could take in works by Strauss and Kaija Saariaho, as well as a new one by Gabriela Lena Frank about Frida Kahlo and Diego Rivera.