The New York Times – Music:
David Jones has been the principal clarinetist of the Kennedy Center’s orchestra for five presidents. A cascade of cancellations means he hasn’t played there since February.
The New York Times – Music:
David Jones has been the principal clarinetist of the Kennedy Center’s orchestra for five presidents. A cascade of cancellations means he hasn’t played there since February.
The New York Times – Music:
Almost no other instrument seems so synonymous with jazz as the sax. Listen to some classic alto playing from Charlie Parker, Cannonball Adderley, Sonny Stitt and more greats.
The New York Times – Fashion & Style:
In search of a “wow factor,” an increasing number of couples are adding live sax to their receptions — even if the instrument has a “cilantro” effect on listeners, as one player put it.
The New York Times – Music:
He was best known as a jazz musician, but his shimmering sound was also heard on classic albums by David Bowie, Stevie Wonder and Bruce Springsteen.
The New York Times – Music:
The composer and instrumentalist was honored for “Adagio (For Wadada Leo Smith),” an unconventional concerto written for saxophone and orchestra.
The New York Times – Music:
He made his name in the 1980s with the Waitresses and the Psychedelic Furs, but his roots were in the exploratory jazz of Eric Dolphy and Ornette Coleman.
The New York Times – Music:
An intense and uncompromising player, he made music that one critic said was more about “motion and spirit” than tonal centers, rhythms and melodies.
The New York Times – Music:
One of Europe’s most influential free-jazz musicians, he played with “a kind of scream” to exorcise his demons, and those of German history.
The New York Times – Music:
He spent years playing with Art Blakey, Lee Morgan and Max Roach, earning praise for his sax’s piercing cry. He’s still composing and turning heads live.