The New York Times – Film:
“Mishima,” which explores nationalism, sexuality and ritual suicide, was screened in Tokyo for the first time since its 1985 release.
Category: Schrader, Paul
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A ‘Taxi Driver’ Remake: Why Arthur Jafa Recast the Scorsese Ending
The New York Times – Film:
The artist has gone back to his filmmaking roots, re-examining what he sees as racial undertones in Martin Scorsese’s classic 1976 movie.
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Oscar Isaac, Ethan Hawke and Joel Edgerton on Paul Schrader Films
The New York Times – Film:
Joel Edgerton, Oscar Isaac and Ethan Hawke explain how they worked with the writer-director, known for solitary characters grappling with sin and redemption.
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‘Master Gardener’ Review: Paul Schrader’s Solitary Man
The New York Times – Film:
The director’s latest movie completes a trilogy about men in search of grace in a brutal world — usually by way of women, but thankfully they are vivid, too.
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The New York Film Festival: Movies for Art’s Sake
The New York Times – Film:
In “Tár,” “Showing Up” and other selections, the annual event makes the case for big-screen aesthetics and large-scale ambitions.
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‘All the Beauty and the Bloodshed’ Wins Best Film at Venice Film Festival
The New York Times – Film:
The director, Laura Poitras, praised Nan Goldin, the photographer and subject of her film, in her acceptance speech.
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Review: ‘There Are No Saints.’ Neither Are There New Plots.
The New York Times – Film:
A B-movie that took a decade to get to the screen follows a well-worn trail of cross-border revenge.