The New York Times – Music:
The Danish String Quartet returned to Carnegie Hall with its Doppelgänger project, pairing Schubert’s String Quintet and a premiere by Adès.
The New York Times – Music:
The Danish String Quartet returned to Carnegie Hall with its Doppelgänger project, pairing Schubert’s String Quintet and a premiere by Adès.
The New York Times – Music:
On Friday, the pianist Mitsuko Uchida and the tenor Mark Padmore illuminated the bleakness of Schubert’s genre-defining song cycle at Zankel Hall.
The New York Times – Music:
In Paris, “L’Autre Voyage” assembles the composer’s arias and art songs to create a jukebox show, perhaps the greatest opera Schubert never wrote.
The New York Times – Music:
A pillar of chamber music for nearly a half-century, the Emerson players bid farewell with Beethoven’s Opus 130 and Schubert’s String Quintet.
The New York Times – Music:
At the Park Avenue Armory, an imaginative and viscerally shocking staging of Schubert songs from the director Claus Guth and the tenor Jonas Kaufmann.
The New York Times – Music:
The tenor Jonas Kaufmann stars in “Doppelganger,” a staging of “Schwanengesang” by Claus Guth, making his New York debut.
The New York Times – Music:
The group returned to Zankel Hall for the latest installment of its “Doppelgänger” project, featuring a premiere by Anna Thorvaldsdottir.
The New York Times – Music:
Thomas, who is fighting brain cancer, conducted two ruminative works, Schubert’s “Great” Symphony and his own “Meditations on Rilke.”
The New York Times – Music:
Lars Vogt, for one of his final albums made before dying from cancer, turned to chamber music by Schubert with Christian and Tanja Tetzlaff.