The New York Times – Film:
Leonardo DiCaprio’s Ernest is unlike any Scorsese protagonist because, well, he’s dumb as rocks. And that changes the film in a fundamental way.
The New York Times – Film:
Leonardo DiCaprio’s Ernest is unlike any Scorsese protagonist because, well, he’s dumb as rocks. And that changes the film in a fundamental way.
The New York Times – Music:
A conversation about the week in popular culture, including “The Woman in Me,” the new book by Spears, and “Killers of the Flower Moon,” Martin Scorsese’s latest film.
The New York Times – Film:
The director was long identified with ornately edited set pieces. In “The Irishman” and his latest film, the flourishes have given way to blunt truths.
The New York Times – Film:
Musicians, comedians and even a filmmaker make appearances in the epic drama.
The New York Times – Film:
Martin Scorsese’s three-and-a-half-hour epic is the first of three high-profile movies the tech company will give wide theatrical releases in the coming months.
The New York Times – Film:
Martin Scorsese’s three-and-a-half-hour epic, starring Leonardo DiCaprio, is a romance, a western, a whodunit and a lesson in the bloody history of the Osage murders of the 1920s.
The New York Times – Film:
How Jack Fisk, the master production designer behind ‘Killers of the Flower Moon’ and many other films, brings the past to life.