The New York Times – Film:
The American “Club Kid” and Spanish “Black Ball” are among the most likely to impress academy voters, while Scarlett Johansson and Javier Bardem also stood out.
The New York Times – Film:
Starring Tony Leung Chiu-Wai and Léa Seydoux, this cerebral drama explores the mysteries of plant and human connection.
The New York Times – Film:
Bertrand Bonello’s latest film, starring Léa Seydoux and George MacKay as lovers in three different eras, is an audacious sci-fi romance.
The New York Times – Fashion & Style:
The artist’s organization said it rejected requests from the fashion company to use the artworks in handbag ads, but the luxury brand used them anyway.
The New York Times – Film:
Forget the men: A banner crop of leading ladies, including Michelle Yeoh and Cate Blanchett, rule the Oscars’ deepest and most dynamic race.
The New York Times – Film:
Mia Hansen-Love directs Léa Seydoux in a delicate look at a mother, daughter and lover whose quotidian existence is instantly recognizable yet sublime.
The New York Times – Film:
In his latest shocker, David Cronenberg prophetically reads the signs while Léa Seydoux performs surgeries on a beatific Viggo Mortensen.
The New York Times – Film:
The body-horror auteur talks about aging and his new film ‘Crimes of the Future.’
The New York Times – Film:
In Arnaud Desplechin’s sly adaptation of Philip Roth’s 1990 novel, a middle-aged writer draws inspiration for his next book from discussions with his mistress.