The New York Times – Music:
“Apartment House 1776,” written for the United States’ bicentennial, is getting an immersive new production with a skeptical twist.
The New York Times – Music:
“Apartment House 1776,” written for the United States’ bicentennial, is getting an immersive new production with a skeptical twist.
The New York Times – Music:
The creators of a new “Tristan und Isolde” production explain the influences behind every element of a crucial scene.
The New York Times – Music:
Audiences are packing the theater for a new “Tristan und Isolde.” Everyone can see the same spectacle, but they probably don’t hear the same sound.
The New York Times – Music:
Yuval Sharon’s debut production featured an astonishing performance by the soprano Lise Davidsen. It is the event of the season.
The New York Times – Music:
Yuval Sharon, known for his bold approach to opera, is making his Met debut with what he has called “the single hardest work” to stage.
The New York Times – Music:
Yuval Sharon will leave the financially strained Detroit Opera after this season. In March, he brings his unorthodox vision to Wagner at the Metropolitan Opera.
The New York Times – Music:
In his “Europeras,” Cage dismantled centuries of tradition and expectations, for musicians and audiences alike. A rare revival is coming to Detroit.
The New York Times – Music:
Among the company’s annual summer offerings, Monteverdi’s “L’Orfeo,” from 1607 but newly reorchestrated and imaginatively staged, stands out.
The New York Times – Music:
Muhly has reorchestrated Monteverdi’s foundational “L’Orfeo” for a new production at Santa Fe Opera.