The New York Times – Music:
The choreographer Mandy Moore feels at home everywhere. She even sees herself as a kind of dance therapist. “Teach them the love first and the steps later.”
The New York Times – Music:
The choreographer Mandy Moore feels at home everywhere. She even sees herself as a kind of dance therapist. “Teach them the love first and the steps later.”
The New York Times – Music:
At the Metropolitan Opera, a cramped studio at the back of the hall is a command tower, controlling the show’s elaborate video and effects.
The New York Times – Music:
The Metropolitan Opera opened its season with a superficial adaptation of Michael Chabon’s novel “The Amazing Adventures of Kavalier & Clay.”
The New York Times – Music:
With “The Amazing Adventures of Kavalier & Clay,” Mason Bates, a.k.a. DJ Masonic, expands the sound world of the Metropolitan Opera.
The New York Times – Music:
Bartlett Sher’s middling production returned to the Metropolitan Opera, with a glorious Benjamin Bernheim and Nadine Sierra in the title roles.
The New York Times – T Magazine:
Adapted from Larry Sultan’s photo memoir, Sharr White’s play “Pictures From Home” explores the lies people — and their photographs — tell.
The New York Times – Music:
Benjamin Bernheim filled the auditorium with a sound that was powerful, beautiful and intelligent.
The New York Times – Film:
Six decades after she played Scout in the film version of “To Kill a Mockingbird,” Mary Badham takes on the role of a neighbor in the play’s national tour.
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