The New York Times – Music:
Our critic tracked one concert, from its first rehearsals to its first performance. Practice is only part of what makes this ensemble excellent.
The New York Times – Music:
Our critic tracked one concert, from its first rehearsals to its first performance. Practice is only part of what makes this ensemble excellent.
The New York Times – Music:
Banned for decades in the Soviet Union for its dissonance and bawdiness, the opera returns as La Scala’s season opener amid the 50th anniversary of Shostakovich’s death.
The New York Times – Music:
Esa-Pekka Salonen is known for unusual, ambitious projects. But at the New York Philharmonic this week, he succeeded with standard repertory works.
The New York Times – Music:
Without interplay from the musicians, Leonidas Kavakos found tension in his own playing in Shostakovich’s First Violin Concerto.
The New York Times – Music:
The composer’s 12th, from 1961, is being played by the orchestra for the first time under the conductor Rafael Payare, also making his debut.
The New York Times – Music:
The 1934 opera, revived this season at the Metropolitan Opera, stoked the ire of the Soviet state, or so the story goes. But archives tell a more interesting tale.
The New York Times – Music:
“Lady Macbeth of Mtsensk” by Dmitri Shostakovich, a tale of love and betrayal once banned in Soviet Russia, is returning to the Metropolitan Opera.
The New York Times – Music:
The young British phenoms Isata and Sheku Kanneh-Mason are performing a duo recital of cello sonatas, including by Shostakovich and Frank Bridge, at Carnegie Hall.