Sorey, Tyshawn

Review: Tyshawn Sorey Unveils a Wondrous New Piano Concerto

The New York Times – Music:

The Philadelphia Orchestra paired Sorey’s “For Marilyn Crispell” with Bruckner’s Third Symphony, an unusual bill that flattered both composers.

The New York Times – Music:

The composer and instrumentalist was honored for “Adagio (For Wadada Leo Smith),” an unconventional concerto written for saxophone and orchestra.

The New York Times – Music:

Hear tracks by Tems, Idles, Adrianne Lenker and others.

The New York Times – Music:

In Philadelphia, Girard College students are joining the composer Tyshawn Sorey and Yarn/Wire for a multimedia adaptation of Ross Gay’s “Be Holding.”

The New York Times – Music:

The flutist’s series of concerts at Carnegie Hall this season begins with a weekend of tributes to the experimental artist Pauline Oliveros.

The New York Times – Music:

Tyshawn Sorey’s music, initially written with Mark Rothko’s abstractions in mind, comes to the Park Avenue Armory with art by Julie Mehretu.

The New York Times – Music:

Tyshawn Sorey’s “Monochromatic Light (Afterlife),” written for the Rothko Chapel in Houston, becomes longer and grander for the Park Avenue Armory.

The New York Times – Music:

Hear new tracks from Alvvays, Tyshawn Sorey, Killer Mike and others.

The New York Times – Music:

Tyshawn Sorey’s “Monochromatic Light (Afterlife),” for the 50th anniversary of the Houston space, closely echoes Morton Feldman’s “Rothko Chapel.”