The New York Times – Film:
He created realistic imagery for the “Star Wars” franchise, the Indiana Jones films and the “Back to the Future” trilogy. He also put Alice Cooper in a tuxedo and tails for an album cover.
The New York Times – Film:
He created realistic imagery for the “Star Wars” franchise, the Indiana Jones films and the “Back to the Future” trilogy. He also put Alice Cooper in a tuxedo and tails for an album cover.
The New York Times – Film:
He created realistic imagery for the “Star Wars” franchise, the Indiana Jones films and the “Back to the Future” trilogy. He also put Alice Cooper in a tuxedo and tails for an album cover.
The New York Times – Film:
Ms. Backlinie, a stunt woman, appeared in the terrifying opening scene of the 1975 blockbuster in which a great white shark attacks.
The New York Times – Film:
Concerned about the future of moviegoing in the filmmaking capital, Jason Reitman and a group of distinguished directors purchased the historic Village Theater in Westwood.
The New York Times – Film:
A shot-by-shot breakdown of the “Raiders of the Lost Ark” sequence that became a defining one in adventure movies.
The New York Times – Film:
The gruff appeal of Harrison Ford, both de-aged and properly weathered, is the main draw in this generally silly entry in the long-running franchise.
The New York Times – Film:
The network’s owner, Warner Bros. Discovery, promised there would be little to no change for viewers despite budget cuts behind the scenes.
The New York Times – Film:
He came up with a mechanism that allowed Steven Spielberg to film underwater. His work on “One Flew Over the Cuckoo’s Nest” earned him an Oscar nomination.