The New York Times – Music:
As a member of Booker T. & the MG’s and as a producer, he played a pivotal role in the rise of Stax Records, a storied force in R&B in the 1960s and ’70s.
The New York Times – Music:
As a member of Booker T. & the MG’s and as a producer, he played a pivotal role in the rise of Stax Records, a storied force in R&B in the 1960s and ’70s.
The New York Times – Music:
Mr. Moore and Dave Prater stormed the R&B and pop charts with indelible hits like “Soul Man” and “Hold On, I’m Comin’.”
The New York Times – Music:
Whitney Houston’s gospel music, Future’s prolific mixtape run, a chunk of Joni Mitchell’s archives and a soundtrack of Brooklyn’s early discos arrived in new packages this year.
The New York Times – Music:
Whitney Houston’s gospel music, Future’s prolific mixtape run, a chunk of Joni Mitchell’s archives and a soundtrack of Brooklyn’s early discos arrived in new packages this year.
The New York Times – Music:
Her anthem of female strength topped the Billboard R&B chart and reached No. 2 on the pop chart in 1971. Its appeal has endured.
The New York Times – Music:
His background was in country music. But Stax, the label he founded with his sister, achieved a level of success with Black artists that rivaled Motown’s.
The New York Times – Music:
She was one of the first female acts signed to Motown, and her career later intersected with Isaac Hayes and Ray Charles. But she eventually heeded a higher calling.