The New York Times – Music:
The set of Kaija Saariaho’s opera “Innocence” transforms with astonishing speed. It takes a big, nimble team to make that possible.
The New York Times – Music:
The set of Kaija Saariaho’s opera “Innocence” transforms with astonishing speed. It takes a big, nimble team to make that possible.
The New York Times – Film:
Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.
The New York Times – Film:
Keira Knightley and Guy Pearce encounter bumpy waters on a yacht in this adaptation of a Ruth Ware thriller.
The New York Times – Music:
In Munich, the Bavarian State Opera’s annual festival opens with Krzysztof Penderecki’s harrowing account of demonic possession and pervasive evil.
The New York Times – Music:
Simon Stone’s new staging of Donizetti’s classic opera updates the work to a present-day American town — hold (some of) the madness.
The New York Times – Music:
A new production of Donizetti’s “Lucia di Lammermoor,” directed by Simon Stone, sets the classic work in a fading postindustrial town.