The New York Times – Film:
Amid endless agonizing over the State of Cinema, the actual releases proved a bounty for film lovers, whether fans of the art house or the multiplex.
The New York Times – Film:
Amid endless agonizing over the State of Cinema, the actual releases proved a bounty for film lovers, whether fans of the art house or the multiplex.
The New York Times – Music:
The film about a renowned and embattled conductor puts a fresh spin on conversations about art, power and misdeeds.
The New York Times – Music:
The Austrian composer’s Symphony No. 5 is the obsession of the conductor played by Cate Blanchett — and of the fans of her latest film.
The New York Times – Music:
The Austrian composer’s Symphony No. 5 is the obsession of the conductor played by Cate Blanchett — and of the fans of her latest film.
The New York Times – Music:
Sophie Kauer was a cellist studying for a degree when a friend urged her to audition for “Tár.” She watched Michael Caine videos on acting and dove right in.
The New York Times – Music:
The film’s thesis is blunt: Put a woman in power, and she’ll be as sexually inappropriate and badly behaved as any man.
The New York Times – Film:
Cate Blanchett stars as a world-famous conductor heading for a fall in Todd Field’s chilly, timely backstage drama.
The New York Times – Film:
Standouts like “All the Beauty and the Bloodshed” and “Descendant” are still on tap in the second half of this marathon of cinematic art.
The New York Times – Film:
In “Tár,” “Showing Up” and other selections, the annual event makes the case for big-screen aesthetics and large-scale ambitions.