The New York Times – Film:
Greta Gerwig, you’re not alone. These artists and films memorably — outrageously in our view — got the brushoff from the academy. We’re still in disbelief.
The New York Times – Film:
The TaxiFilmFest is partly a protest over the miserable state of Berlin’s taxi industry. But it’s also a celebration of the cab’s iconic place in the urban cultural landscape.
The New York Times – Film:
Leonardo DiCaprio’s Ernest is unlike any Scorsese protagonist because, well, he’s dumb as rocks. And that changes the film in a fundamental way.
The New York Times – Film:
The director was long identified with ornately edited set pieces. In “The Irishman” and his latest film, the flourishes have given way to blunt truths.
The New York Times – Film:
With the Tribeca Festival around the corner, it’s a fitting time to look back at the memorable ways cinema has given New York City a featured role.
The New York Times – Film:
The actor recently donated hundreds of boxes of scripts, props, notes and other objects from his work on “Raging Bull,” “Taxi Driver” and more. We dived in.