The New York Times – Music:
The soprano Asmik Grigorian is starring as Tatiana, one of her signature roles, in Tchaikovsky’s classic at the Metropolitan Opera.
Category: Tchaikovsky, Peter Ilyich
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Review: At the Met, a Polished and Polite ‘Onegin’ Returns
The New York Times – Music:
A strong cast led by the soprano Asmik Grigorian lifts Deborah Warner’s production, which never quite convinces.
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In This Rarely Seen Tchaikovsky Opera, Joan of Arc Speaks for Herself
The New York Times – Music:
The composer had grand hopes that “The Maid of Orleans,” with its battle scenes, rousing choruses and fiery finale, would be the making of him. It didn’t work out that way.
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Review: Riccardo Muti and the Chicago Symphony Offer a Rarity
The New York Times – Music:
Riccardo Muti led the Chicago Symphony Orchestra at Carnegie Hall in a program that featured Verdi’s “Four Seasons” and Tchaikovsky.
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Review: Under Manfred Honeck, the Philharmonic Becomes One
The New York Times – Music:
In a program of Tchaikovsky and Rachmaninoff, a guest conductor coaxes a sumptuous sincerity from the orchestra’s musicians.
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How ‘The Nutcracker’ Has Been Reimagined, for Better and Worse
The New York Times – Music:
A tour through five cases in which Tchaikovsky’s classical score has been taken up by jazz legends and misguided filmmakers.
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How ‘The Nutcracker’ Has Been Reimagined, for Better and Worse
The New York Times – Music:
A tour through five cases in which Tchaikovsky’s classical score has been taken up by jazz legends and misguided filmmakers.
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The Russian Filmmaker Trapped Between Hollywood and Moscow
The New York Times – Film:
As boycotts of Russia expand to include cultural exports, artists like Kirill Serebrennikov must prove they are dissident enough to enjoy a Western audience.
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Putin Says Tchaikovsky Is Being Canceled. The Met Opera Disagrees.
The New York Times – Music:
The company’s revival of “Eugene Onegin” gives the lie to the Russian president’s claim that his country’s composers are suffering in the West.