The New York Times – Film:
His range was wide, as evidenced by performances in projects as different as “Roots,” “An Officer and a Gentleman” and “Diggstown.”
The New York Times – Film:
His range was wide, as evidenced by performances in projects as different as “Roots,” “An Officer and a Gentleman” and “Diggstown.”
The New York Times – Film:
As she tries to find her place in Hollywood, the “Color Purple” stage and screen star bids an emotional goodbye to a character she has lived with for nearly a decade.
The New York Times – Film:
The “Color Purple” supporting actress was nominated for a Tony for the role on Broadway. Still, she spent six months auditioning for the part in the movie.
The New York Times – Film:
For Fatima Robinson, choreographing “The Color Purple” was far more than a job. It was a callback to her youth, before becoming known for her pop work.
The New York Times – Film:
For Fatima Robinson, choreographing “The Color Purple” was far more than a job. It was a callback to her youth, before becoming known for her pop work.
The New York Times – Film:
With “Mean Girls,” “Wonka” and “The Color Purple,” why have studios spent much of their marketing budget downplaying and disguising their movie musicals?
The New York Times – Film:
With “Mean Girls,” “Wonka” and “The Color Purple,” why have studios spent much of their marketing budget downplaying and disguising their movie musicals?
The New York Times – Film:
The “Color Purple” star talks candidly about her battles to get cast and paid her worth. Even as an Oscar-nominated veteran, she had to audition for her new film.