The New York Times – Film:
“The Godfather” helped open up a range of roles for the actor that allowed him to play against type and expectation in wonderful ways.
The New York Times – Film:
“The Godfather” helped open up a range of roles for the actor that allowed him to play against type and expectation in wonderful ways.
The New York Times – Film:
Drama, comedy, suspense, action, kids’ movies — there was truly nothing he couldn’t do. Who else could star in both “The Godfather” and “Elf”?
The New York Times – Film:
A Bronx native, he starred in countless movies and TV shows, but was most closely identified with the volatile character Sonny Corleone.
The New York Times – Film:
The Method taught actors to channel the complexity and messiness of human emotion into a performance. Why is that so hard to find in the movies today?
The New York Times – Film:
Fifty years later, the actor looks back on his breakthrough role: how he was cast, why he skipped the Oscars and what it all means to him now.
The New York Times – Film:
The film’s lines have become part of our collective memory. Seven writers, directors and actors look back at the movie and what these words mean to them.
The New York Times – Film:
Francis Ford Coppola discusses a repaired 50th-anniversary edition of his classic, one that aims to be as vivid — and shadowy — as it was in 1972.