The New York Times – Music:
César Alvarez’s ambitious new work is a mixed musical meal: It wants to be a call to revolutionary action but is surprisingly lacking in it.
The New York Times – Music:
César Alvarez’s ambitious new work is a mixed musical meal: It wants to be a call to revolutionary action but is surprisingly lacking in it.
The New York Times – Music:
A stirring but tonally muddled new musical about the “poison queen of Palermo” gets an elegant Off Broadway production.
The New York Times – Music:
The Sugarland singer Jennifer Nettles has written and is starring in a so-called “pop-eretta” titled “Giulia: The Poison Queen of Palermo.”
The New York Times – Film:
Billy Porter and Wayne Brady make a tender pair in Robert O’Hara’s revival of the Harvey Fierstein-Jerry Herman musical farce.
The New York Times – Film:
Anna D. Shapiro revives Eric Bentley’s play about the House Un-American Activities Committee’s investigation of the entertainment industry.
The New York Times – Music:
While the 1999 movie went for melodrama, this stage adaptation with songs by Aimee Mann honors the memoir’s coolly clinical prose.
The New York Times – Music:
Wilson’s 2024 adaptation of Herman Melville’s classic, with music by the British singer-songwriter Anna Calvi, has a short run at the Brooklyn Academy of Music.
The New York Times – Film:
“Antigone” gave us the original “bad girl,” but its themes go beyond that. How do adaptations keep making Sophocles’ ideas about democracy and theater new?