The New York Times – Film:
Concerned about the future of moviegoing in the filmmaking capital, Jason Reitman and a group of distinguished directors purchased the historic Village Theater in Westwood.
Category: Theaters (Buildings)
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John Morris, Who Brought Rock Legends to the Stage, Dies at 84
The New York Times – Music:
As a coordinator of the Woodstock festival and the hallowed New York venue Fillmore East, he helped showcase the likes of Jimi Hendrix and Janis Joplin.
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A Dormant Dome for Cinephiles Is Unsettling Hollywood
The New York Times – Film:
The shuttered ArcLight theater complex, whose striking Cinerama Dome evokes a Technicolor past, is a symbol of a movie industry in turmoil, even in its own backyard.
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Where Culture Flows Along London’s River Thames
The New York Times – Film:
The Southbank Center, the host of this year’s British Academy Film Awards, has become a focal point of the city’s arts and culture scene.
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India’s Love Story With ‘D.D.L.J’ Is Still Strong After 27 Years
The New York Times – Film:
‘D.D.L.J.,’ which a Mumbai theater has shown nearly every day since 1995, encapsulates a society in churn, with the choices afforded by economic opportunity clashing with tradition.
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One More Project for David Geffen: Building His Legacy
The New York Times – Music:
The entertainment mogul has given $1.2 billion to institutions around the nation, including the New York Philharmonic’s transformed Lincoln Center home.
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Luke Parker Bowles, the Queen Consort’s Nephew, on Life in New Jersey
The New York Times – Film:
The film and television producer, who works with the British Consulate, is also committed to saving small-town movie theaters in the United States.
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Apollo Theater’s Longtime President Will Step Down
The New York Times – Music:
Jonelle Procope, who transformed the Harlem organization from a struggling nonprofit to an internationally recognized cultural center, will leave in June after two decades in the role.
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Why New Yorkers Still ❤️ Film
The New York Times – Film:
Projectionists are busier than ever, as they serve a demand for obscure 35-millimeter titles, nostalgia and the quirks of analog.