The New York Times – Music:
The opera-oratorio, an alternate Nativity story, featured a flurry of Met debuts, including the director Lileana Blain-Cruz and the conductor Marin Alsop.
Category: Tines, Davone
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A Pathbreaking Singer Arrives at the Met, With Pearls and Tattoos
The New York Times – Music:
Davóne Tines, who stars in the oratorio “El Niño,” is challenging traditions in classical music and using art to confront social problems.
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‘As Living as Opera Can Get’: John Cage’s Anarchic Anti-Canon
The New York Times – Music:
In his “Europeras,” Cage dismantled centuries of tradition and expectations, for musicians and audiences alike. A rare revival is coming to Detroit.
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Review: The New York Philharmonic’s ‘St. Matthew Passion’ Is a Surprising Achievement
The New York Times – Music:
Jaap van Zweden is not known for Bach. But the “St. Matthew Passion” made for one of his finest New York Philharmonic concerts this season.
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The Breakout Stars of 2022
The New York Times – Music:
Here are the actors, pop stars, dancers and artists who broke away from the pack this year, delighting us and making us think.
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Review: Davóne Tines Hones the Recital Form to a Fine Point
The New York Times – Music:
This bass-baritone made his Carnegie Hall debut with his carefully curated, personal “Recital No. 1: MASS.”
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Review: Musicians of Color Reclaim Control in a White Space
The New York Times – Music:
In “Everything Rises,” the violinist Jennifer Koh and the bass-baritone Davóne Tines recount their complicated relationships with classical music.
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Review: In ‘Monochromatic Light,’ Artists Saturate and Vacate Space
The New York Times – Music:
Tyshawn Sorey’s music, initially written with Mark Rothko’s abstractions in mind, comes to the Park Avenue Armory with art by Julie Mehretu.
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A Work of Mourning Comes to New York, With No Rothkos in Sight
The New York Times – Music:
Tyshawn Sorey’s “Monochromatic Light (Afterlife),” written for the Rothko Chapel in Houston, becomes longer and grander for the Park Avenue Armory.