The New York Times – Music:
Demonstrators outside the Royal Opera House protested the Russian soprano’s return to the London stage in a new production of “Tosca.”
The New York Times – Music:
Demonstrators outside the Royal Opera House protested the Russian soprano’s return to the London stage in a new production of “Tosca.”
The New York Times – Music:
The bass-baritone Bryn Terfel returned to the Met for the first time in 13 years, alongside Sondra Radvanovsky, one of the great Toscas of our time.
The New York Times – Music:
With radical adaptations of Verdi’s “Macbeth” and Puccini’s “Tosca,” Heartbeat Opera shows why it’s so vital to New York’s music scene.
The New York Times – Music:
The strong-willed singer, returning in “Tosca,” was long one of the Metropolitan Opera’s star sopranos. But in the past decade, her appearances have been rare.
The New York Times – Music:
Carlo Rizzi, a Met Opera regular sometimes taken for granted, opened the company’s season this fall and has juggled “Medea,” “Tosca” and “Don Carlo.”
The New York Times – Music:
Aleksandra Kurzak, moving into heavier repertoire with Puccini’s opera, played the title diva as touchingly human.
The New York Times – Music:
Lise Davidsen unleashed rare grandeur of tone throughout her range in the title role of Strauss’s opera.