The New York Times – Film:
The documentary “Framing Agnes” uses transcripts to tell the story of an anonymous woman who became the subject of a series of landmark interviews.
The New York Times – Film:
The documentary “Framing Agnes” uses transcripts to tell the story of an anonymous woman who became the subject of a series of landmark interviews.
The New York Times – Film:
The documentary “Framing Agnes” uses transcripts to tell the story of an anonymous woman who became the subject of a series of landmark interviews.
The New York Times – Film:
Onscreen and off, the nonbinary star of “Lady Chatterley’s Lover” and “The Crown” has been exploring gender and the cost and responsibility of being heard.
The New York Times – Film:
The documentarian Chase Joynt stages re-enactments of midcentury medical interviews with transgender people.
The New York Times – Music:
Adeem Bingham has wrestled for decades with their identity as a Southern, Christian, queer songwriter. Can modern country music make space for them and their experiences?
The New York Times – Music:
The D.J. and producer has been a force in house music for over two decades. Tapped by Beyoncé and Madonna, and releasing her own LP, her career is kicking into another gear.
The New York Times – Music:
Maxine Angel Opoku has found a new audience for her music with songs opposing a proposed law that would make it illegal to identify as gay, transgender or queer.
The New York Times – Sports:
“A big part of being here and running this race is reclaiming this place, which left me with a lot of emotional scars,” Cal Calamia said of running the Chicago Marathon in their hometown.
The New York Times – T Magazine:
On his debut album, the Alaskan singer-songwriter moved into new emotional territory.