The New York Times – Film:
Inventive and surprising moments happened in front of and behind the camera this awards season. Here’s a look at memorable sequences in the top contenders.
The New York Times – Film:
Inventive and surprising moments happened in front of and behind the camera this awards season. Here’s a look at memorable sequences in the top contenders.
The New York Times – Film:
Now that critics’ laurels and box office results are in, the race for the top honor is clearer. But there’s still room for an outside contender to slip in.
The New York Times – Film:
Now that critics’ laurels and box office results are in, the race for the top honor is clearer. But there’s still room for an outside contender to slip in.
The New York Times – Film:
As the awards show tries to restore its golden luster, there are still notable omissions, while some nominees may snub the ceremony itself.
The New York Times – Film:
The “EO” filmmakers wanted to tell their story via a silent animal but felt dogs or cats were clichéd. Their choice turned out to be anything but stubborn.
The New York Times – Film:
The writer and director Ruben Ostlund narrates a pivotal scene from his satire.
The New York Times – Film:
The writer and director Ruben Ostlund narrates a sequence from his film.
The New York Times – Film:
The Palme d’Or-winning class satire hinges on her surprising character, but the veteran Filipina actress never thought she had a chance to land the role.
The New York Times – Film:
Ruben Ostlund won the top prize at Cannes for this preening, obvious satire of contemporary hypocrisy.