The New York Times – Film:
A landmark of New Wave cinema, “The 400 Blows” brought her enduring global attention. She later appeared in “La Cage Aux Folles” and “Amélie.”
The New York Times – Film:
A landmark of New Wave cinema, “The 400 Blows” brought her enduring global attention. She later appeared in “La Cage Aux Folles” and “Amélie.”
The New York Times – Film:
In films like “Day for Night,” “La Balance” and “The Return of Martin Guerre,” she was adept at portraying sensual, reflective or excitable characters.
The New York Times – Film:
Commissioned by the Louvre, the film brings together two of cinema’s unforgettable faces, Lee Kang-sheng and Jean-Pierre Léaud.
The New York Times – Film:
In 1959, François Truffaut premiered his first film, about a Parisian boy playing hooky, and moviemaking hasn’t been the same since.