The New York Times – Film:
The film that’s been adapted into a new musical created a memorable aesthetic with its cast and outfits. Its ideas about the nuclear family also made it a movie for its time.
The New York Times – Film:
The film that’s been adapted into a new musical created a memorable aesthetic with its cast and outfits. Its ideas about the nuclear family also made it a movie for its time.
The New York Times – Film:
With “The Lost Boys” on Broadway and Cynthia Erivo in “Dracula” in London, our horror expert looks at how bloodsuckers sunk their teeth into pop culture.
The New York Times – Film:
The “Wicked” actress plays 23 roles in a one-woman show on London’s West End.
The New York Times – Film:
Luc Besson’s extravagantly silly twist on the timeless monster, played by Caleb Landry Jones, is deliciously operatic but ultimately a letdown.
The New York Times – Film:
Luc Besson’s extravagantly silly twist on the timeless monster, played by Caleb Landry Jones, is deliciously operatic but ultimately a letdown.
The New York Times – Film:
This triumph of low-budget filmmaking will shimmer for a week at Brooklyn Academy of Music.
The New York Times – Film:
In books like “The Monster Show” and “Screams of Reason,” he examined the cultural significance of movies meant to scare the bejesus out of people.
The New York Times – Film:
Her three-dimensional portrayal of a character who was also a vampire helped the Gothic soap opera develop a cult following.
The New York Times – Film:
F.W. Murnau’s 1922 silent film continues to live on in the popular imagination, as a fairy tale, a meme and a cinematic revenant.