The New York Times – Music:
A revival of Wagner’s “Tannhäuser” was notable for the arrival of Christian Gerhaher. But with an abrupt protest, the performance took a turn.
The New York Times – Music:
A revival of Wagner’s “Tannhäuser” was notable for the arrival of Christian Gerhaher. But with an abrupt protest, the performance took a turn.
The New York Times – Music:
After a triumphant house debut in 2019, the bass-baritone Tomasz Konieczny brought power and clarity to the title role in “The Flying Dutchman.”