The New York Times – Music:
The soprano appeared in more than two dozen productions at the house in Milan as she rose to become opera’s leading lady. Here are six highlights.
The New York Times – Music:
The soprano appeared in more than two dozen productions at the house in Milan as she rose to become opera’s leading lady. Here are six highlights.
The New York Times – Music:
A critic whose love of the operas of Giuseppe Verdi goes back nearly 60 years traveled to northern Italy to visit the places that shaped the man and his music.
The New York Times – Music:
A gift from a board member recently paid for the company to rebuild sets for Franco Zeffirelli’s deathless 1981 production of Puccini’s classic.
The New York Times – Music:
The company’s opening week included performances of “Nabucco” and the Requiem.
The New York Times – Music:
Mariusz Trelinski returns to the Metropolitan Opera next year with a new staging of “La Forza del Destino,” which leans into psychoanalysis and fate.
The New York Times – Music:
No other festival matches the sheer profusion of classical music, opera and theater offerings at the Salzburg Festival.
The New York Times – Music:
In a Verdi revival at the Royal Opera, two top female singers are discovering, and rediscovering, characters from a real-life royal love triangle.
The New York Times – Music:
Michael Volle puts his noble voice to delightfully undignified use as the title character in Robert Carsen’s still fresh production of “Falstaff.”
The New York Times – Music:
But opening night of the huge production’s final run, shakily cast, presented a show that seemed to be begging to retire.