The New York Times – Film:
After a stroke four years ago, the actor has changed how he approaches performances, including the one he’s become an awards favorite for.
The New York Times – Film:
After a stroke four years ago, the actor has changed how he approaches performances, including the one he’s become an awards favorite for.
The New York Times – Film:
“Anora,” “A Compete Unknown” and “The Brutalist” are also in the running for best film at the British equivalent of the Oscars.
The New York Times – Film:
He explains why Lady Jessica’s face is so heavily tattooed, whether Paul considers himself the Messiah and what he thinks of those Javier Bardem memes.
The New York Times – Film:
Language constructors for the movies started with words Frank Herbert made up for his 1965 novel but went much further, creating an extensive vocabulary and specific grammar rules.
The New York Times – Music:
The actor who plays the malevolent emperor in the new film actually brought an element of the saga to life once before. Remember “Weapon of Choice”?
The New York Times – Film:
Timothée Chalamet and Zendaya make an appealing pair in Denis Villeneuve’s follow-up film, and the actors fit together with tangible ease.
The New York Times – Film:
With “Part Two” hitting theaters, they discuss another potential sequel, the impossible quest for onscreen perfection and those infamous popcorn buckets.
The New York Times – Film:
Denis Villeneuve and his sound team explain how far they went to achieve an aural experience that would feel somewhat familiar, an unusual approach for sci-fi.
The New York Times – Film:
Jane Campion won the best director prize at Britain’s Academy Awards for her tense western in an evening that saw a host of surprise winners.