The New York Times – Film:
With their slow-mo punch sequences and actors’ body transformations, pugilistic films from “Rocky” to “Christy” have aimed for the academy’s approval.
The New York Times – Film:
With their slow-mo punch sequences and actors’ body transformations, pugilistic films from “Rocky” to “Christy” have aimed for the academy’s approval.
The New York Times – Fashion & Style:
Everyone wants to explain the generation below them. Can young people rebuff those efforts by being completely absurd?
The New York Times – Fashion & Style:
Everyone wants to explain the generation below them. Can young people rebuff those efforts by being completely absurd?
The New York Times – Film:
The designer Vasilis Marmatakis has created posters for the director’s films that are often as enigmatic as the movies themselves.
The New York Times – Film:
Paul Thomas Anderson’s film spotlights unseen corners of the state. To find them, our photographer traveled California from tip to tip.
The New York Times – Film:
The director Joachim Ronning narrates a sequence from his film featuring Greta Lee, Jodie Turner-Smith and Jared Leto.
The New York Times – Film:
In 1997, Nicolas Cage and John Travolta swapped identities and faces in John Woo’s extravagant action thriller. The results were fabulously ludicrous.
The New York Times – Music:
Her casting in the forthcoming “Kiss of the Spider Woman” underscores how her best onscreen work has always been informed by what’s happening offscreen.