The New York Times – Music:
A prominent practitioner of the historically grand productions that were once fashionable at the Met, he was especially well known for his stagings of Wagner.
The New York Times – Music:
A prominent practitioner of the historically grand productions that were once fashionable at the Met, he was especially well known for his stagings of Wagner.
The New York Times – Music:
Romeo Castellucci’s production of Wagner’s “Ring” at La Monnaie embodies ideas that the Metropolitan Opera should take note of for its own staging.
The New York Times – Music:
Met officials were forced to bring down the curtain halfway through the opera as protesters unfurled banners that read “No Opera On A Dead Planet.” The performance later resumed.
The New York Times – Music:
He was especially acclaimed for his performances at the Bayreuth Festival in Germany. As his voice developed, he once said, so did his view of how and why to deploy it.
The New York Times – Music:
Cutting-edge technology has again come to the Bayreuth Festival, where Wagner premiered his final opera with the latest stagecraft in 1882.
The New York Times – Music:
The tenor Piotr Beczala sings with uncanny serenity and command in the title role of Wagner’s opera, directed by François Girard with little subtlety.
The New York Times – Music:
François Girard’s staging, originally a co-production with the Bolshoi Theater, arrives a year after its Moscow premiere, which coincided with Russia’s invasion of Ukraine.
The New York Times – Music:
Robert Wilson’s staging of Wagner’s “Lohengrin” opened to a wall of boos in 1998. But it brought new theatrical possibilities to the Met.