The New York Times – Music:
The strike, which began early Friday, is the latest labor action to unsettle classical music at a time of financial turmoil and uncertainty.
The New York Times – Music:
The strike, which began early Friday, is the latest labor action to unsettle classical music at a time of financial turmoil and uncertainty.
The New York Times – Music:
Verdi’s Requiem out of Cleveland, Missy Mazzoli’s “Breaking the Waves” out of Houston and a fresh approach to art song are among our selections.
The New York Times – Music:
Also this season, the Berlin Philharmonic comes to Carnegie Hall, “Lincoln in the Bardo” arrives at the Metropolitan Opera and dueling “Toscas.”
The New York Times – Music:
Franz Welser-Möst, the Cleveland Orchestra’s music director, takes us on a tour through the handwritten score of Mahler’s “Resurrection” Symphony.
The New York Times – Music:
The Cleveland Orchestra’s recent performances of Beethoven’s “Fidelio” join concerts that fill a gap in American opera.
The New York Times – Music:
Our critic tracked one concert, from its first rehearsals to its first performance. Practice is only part of what makes this ensemble excellent.
The New York Times – Music:
Franz Welser-Möst, who stands at the top of this storied orchestra’s roster of conductors, led three meaty programs at Carnegie Hall over the weekend.
The New York Times – Music:
With neither encores nor speeches, this ensemble presented a subtly clever, cogent and complete pair of concerts at Carnegie Hall.
The New York Times – Music:
Franz Welser-Möst, the Cleveland Orchestra’s music director since 2002, is beginning to wind down his career.