The New York Times – Music:
The Cleveland Orchestra’s recent performances of Beethoven’s “Fidelio” join concerts that fill a gap in American opera.
Category: Welser-Most, Franz
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How the Cleveland Orchestra Stays at the Top of Classical Music
The New York Times – Music:
Our critic tracked one concert, from its first rehearsals to its first performance. Practice is only part of what makes this ensemble excellent.
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Vienna Philharmonic and Franz Welser-Möst Return to Carnegie
The New York Times – Music:
Franz Welser-Möst, who stands at the top of this storied orchestra’s roster of conductors, led three meaty programs at Carnegie Hall over the weekend.
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The Cleveland Orchestra Says a Lot, but Only Through Music
The New York Times – Music:
With neither encores nor speeches, this ensemble presented a subtly clever, cogent and complete pair of concerts at Carnegie Hall.
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Franz Welser-Möst to Leave the Cleveland Orchestra
The New York Times – Music:
Franz Welser-Möst, the Cleveland Orchestra’s music director since 2002, is beginning to wind down his career.
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Audiences Are Coming Back to Orchestras After a ‘Scary’ Fall
The New York Times – Music:
“It seemed like a switch flipped right before Thanksgiving,” the leader of the Chicago Symphony said.
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Carnegie Hall Announces Its 2023-24 Season
The New York Times – Music:
We choose highlights from events featuring Mitsuko Uchida and Franz Welser-Möst as Perspectives artists, and the composer Tania León in residence.
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Review: The Unaffected Excellence of the Cleveland Orchestra
The New York Times – Music:
One of the finest American ensembles returned to Carnegie Hall with a program that made its argument persuasively, but without force.