The New York Times – Film:
The actress stars in Thomas Kail’s luminous revival of Eugene O’Neill’s play about a woman whose past threatens her future.
The New York Times – Film:
The actress stars in Thomas Kail’s luminous revival of Eugene O’Neill’s play about a woman whose past threatens her future.
The New York Times – Fashion & Style:
Snippets of Michelle Williams’s narration of Britney Spears’s new memoir have proved explosively popular online. But what goes into selecting a celebrity reader for an audiobook?
The New York Times – Music:
For 25 years, American culture has used her body to determine a woman’s worth. In “The Woman in Me,” she asks us to take a second look.
The New York Times – Film:
The director Kelly Reichardt has developed something of a troupe of performers who are eager to work with her time and time again. A few of them appear in her latest film, “Showing Up.”
The New York Times – Film:
In their latest movie together, Michelle Williams and Kelly Reichardt paint a portrait of an artist who’s a real and wonderful piece of work.
The New York Times – Film:
With “The Fabelmans,” the Oscar-nominated actress moves from minor-key naturalism to more stylized performances: “I wanted to make work that an audience member had to deal with.”
The New York Times – Film:
Forget the men: A banner crop of leading ladies, including Michelle Yeoh and Cate Blanchett, rule the Oscars’ deepest and most dynamic race.
The New York Times – Film:
The film’s Ke Huy Quan also won the supporting-performance trophy at the season’s first big ceremony, where honoree Adam Sandler brought down the house.
The New York Times – Film:
The director’s latest movie focuses on a budding filmmaker a lot like himself. But Michelle Williams, as his mother, is the soul of this fractious family drama.