The New York Times – Music:
Part of the Black Arts Movement of the 1960s, he went on to reclaim a leading musician of the psychedelic era as a distinctly African American artist.
The New York Times – Music:
Part of the Black Arts Movement of the 1960s, he went on to reclaim a leading musician of the psychedelic era as a distinctly African American artist.
The New York Times – Music:
A onetime Beatlemaniac, he helped shape the sound of hits like “Walk This Way” and “(Just Like) Starting Over.”
The New York Times – Music:
In the 1970s and ’80s, Stephanie Chernikowski, who has died at 84, shot bands like the Ramones and Blondie at CBGB and other downtown clubs.
The New York Times – Music:
She captured the radiant chaos at New York City clubs like CBGB in the 1970s, when bands like the Ramones, Blondie and the Patti Smith Group were emerging.
The New York Times – Film:
All it took was a bucket of soapy water and a slinky housedress for her to achieve movie immortality in the 1967 Paul Newman classic.
The New York Times – Music:
A chance encounter led to overnight success for the Sequence, a seminal trio whose “Funk You Up” broke barriers.
The New York Times – Music:
He produced albums — by John Mayall & the Bluesbreakers, with Eric Clapton, and the early Fleetwood Mac — that defined 1960s blues rock. He also shepherded David Bowie’s debut disk.
The New York Times – Film:
Known early on for skin-baring temptress roles, she later earned rave reviews, a Cannes award and an Oscar nomination for her performance in the Lenny Bruce biopic “Lenny.”
The New York Times – Music:
His carnival-like swirls on the Vox organ helped define the sound of the border with groups like the Sir Douglas Quintet and the Texas Tornados.