The New York Times – Music:
Although he wasn’t blind, he sang in three different gospel groups known as the Blind Boys before making a splash on the R&B and pop charts.
The New York Times – Music:
Although he wasn’t blind, he sang in three different gospel groups known as the Blind Boys before making a splash on the R&B and pop charts.
The New York Times – Film:
In a wide-ranging career, he was a Boston lawyer, a Hollywood screenwriter and a Swiss currency trader.
The New York Times – Music:
Also a saxophone standout, he served as stylistic bridge between the Benny Goodman swing era and the genre-blurring present.
The New York Times – Music:
His group notched smooth hippie-era hits like “Up, Up and Away” and “The Age of Aquarius” in embracing a genre-blurring sound they called “champagne soul.”
The New York Times – Music:
He seemed destined for a glittering career, working with the Fugees and solo, then landed in prison. After a presidential pardon, he clawed his way back.
The New York Times – Music:
One of the most influential voices of the seminal magazine The Source, he chronicled rap’s rise and its explosion into the cultural mainstream.
The New York Times – Film:
Despite a ceaseless battle against government censors, he was celebrated as one of his country’s greatest auteurs, winning praise from luminaries like Martin Scorsese.
The New York Times – Music:
One of the first jazz musicians from Poland to gain an international following, he recorded more than 60 albums and played with stars like Miles Davis.
The New York Times – Music:
With his producing partner, Jeffry Katz, he made lightweight ditties like “Yummy Yummy Yummy” that soared up the charts in the late 1960s.