The New York Times – Film:
A meta-remake of the 1978 horror cult classic is more about how we watch than what we watch.
The New York Times – Film:
The sort-of rom-com stars Zendaya and Robert Pattinson as an engaged couple whose relationship is upended by a revelation that has divided audiences.
The New York Times – Film:
The impish but thoughtful James Grashow, his sculpture and his long marriage are the subjects of Cindy Meehl’s film.
The New York Times – Film:
The sequel to the mega-blockbuster can’t hold still long enough to let us enjoy the good stuff.
The New York Times – Film:
“The AI Doc: Or How I Became an Apocaloptimist” tries to cover so much that it ends up being more confusing than clarifying, but parts are fascinating.
The New York Times – Film:
“The AI Doc: Or How I Became an Apocaloptimist” tries to cover so much that it ends up being more confusing than clarifying, but parts are fascinating.
The New York Times – Film:
Directed by Thierry Frémaux, the Cannes chief, the movie argues that filmmaking is an act of faith in humanity.
The New York Times – Film:
Grace must once again survive the night, this time with her sister, in a gory, unhinged sequel that harbors a bleaker heart than the original.
The New York Times – Film:
An effective if occasionally bumpy debut horror film makes full use of the audience’s ears — and imagination.