The New York Times – Film:
“The AI Doc: Or How I Became an Apocaloptimist” tries to cover so much that it ends up being more confusing than clarifying, but parts are fascinating.
Author: Alissa Wilkinson
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In ‘The AI Doc,’ Sam Altman and Dario Amodei Go on the Record
The New York Times – Film:
“The AI Doc: Or How I Became an Apocaloptimist” tries to cover so much that it ends up being more confusing than clarifying, but parts are fascinating.
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‘Lumière, le Cinéma!’ From Thierry Frémaux
The New York Times – Film:
Directed by Thierry Frémaux, the Cannes chief, the movie argues that filmmaking is an act of faith in humanity.
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‘Ready or Not 2: Here I Come’ Review: The Blood Is Thicker
The New York Times – Film:
Grace must once again survive the night, this time with her sister, in a gory, unhinged sequel that harbors a bleaker heart than the original.
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‘Undertone’ Review: And Now a Word From Our Demon!
The New York Times – Film:
An effective if occasionally bumpy debut horror film makes full use of the audience’s ears — and imagination.
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A Film That Makes a Strong Argument for the Value of Debate
The New York Times – Film:
“Immutable” is about young debaters in a league in Washington, D.C., as well as about the skill itself in a world where yelling can seem the norm.
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‘Hoppers’ Review: Animal Magnetism
The New York Times – Film:
The latest Pixar movie centers on pudgy beavers and a spunky teenager determined to save their habitat.
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‘Paul McCartney: Man on the Run’ Tells One Side of the Story
The New York Times – Film:
The Morgan Neville-directed film relies on new and archival interviews to cover familiar ground: the years after the Beatles broke up.
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‘In the Blink of an Eye’ Review: We Are the Future
The New York Times – Film:
These three connected stories about the whole of human history can’t quite sustain the necessary emotional heft.