The New York Times – Film:
Ian McKellen and Michaela Coel are terrific in Steven Soderbergh’s sharp-eyed take on art and money.
The New York Times – Film:
Ian McKellen and Michaela Coel are terrific in Steven Soderbergh’s sharp-eyed take on art and money.
The New York Times – Film:
The sort-of rom-com stars Zendaya and Robert Pattinson as an engaged couple whose relationship is upended by a revelation that has divided audiences.
The New York Times – Film:
The impish but thoughtful James Grashow, his sculpture and his long marriage are the subjects of Cindy Meehl’s film.
The New York Times – Film:
The sequel to the mega-blockbuster can’t hold still long enough to let us enjoy the good stuff.
The New York Times – Film:
“The AI Doc: Or How I Became an Apocaloptimist” tries to cover so much that it ends up being more confusing than clarifying, but parts are fascinating.
The New York Times – Film:
“The AI Doc: Or How I Became an Apocaloptimist” tries to cover so much that it ends up being more confusing than clarifying, but parts are fascinating.
The New York Times – Film:
Directed by Thierry Frémaux, the Cannes chief, the movie argues that filmmaking is an act of faith in humanity.
The New York Times – Film:
Grace must once again survive the night, this time with her sister, in a gory, unhinged sequel that harbors a bleaker heart than the original.